San Lorenzo, Library, plan; reflected ceiling plan; stair, detail (recto) San Lorenzo, Ricetto, plan (verso)

Tomb of Annia Regilla, plan (recto) Arch of the Argentarii, ornamental details, elevation (verso)

Drawn by Anonymous, French, 16th century

The Bases of the Columns, in Chippendale Drawings, Vol. I

Thomas Chippendale

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso)

Drawn by Anonymous, French, 16th century

Design for a Stage Set at the Opéra, Paris

Eugène Cicéri

Portico Octavia, pediment and entablature, elevation; pediment, elevation (recto) Temple of Antoninus and Faustina, entablature, elevation (verso)

Drawn by Anonymous, French, 16th century

St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso)

Drawn by Anonymous, French, 16th century

San Lorenzo, Library, Ricetto, entablature, elevation profile (recto) San Lorenzo, Library, Ricetto, column, elevation (verso)

Drawn by Anonymous, French, 16th century

A Plan of the Gallery Floor over Offices, and Two Side Walls, Queens Square, Camden, London

Anonymous, British, late 18th–early 19th century

Palazzo Senatorio, stair, upper ramp and entry portal (recto) Palazzo Senatorio, stair, lower ramp and pedestal (verso)

Drawn by Anonymous, French, 16th century

Plan of the Vatican Teatro, in which the Vatican Tournament was held, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century, Antonio Lafreri, Antonio Lafreri

San Lorenzo, New Sacristy, plan (recto) San Lorenzo, New Sacristy, details, elevation and section (verso)

Drawn by Anonymous, French, 16th century

Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I

Thomas Chippendale