Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I

The Bases of the Columns, in Chippendale Drawings, Vol. I

Thomas Chippendale

Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale

Moldings for Desk and Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale

Bases and Caps of the Pedestals of Each Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale

San Lorenzo, Library, Ricetto, entablature, elevation profile (recto) San Lorenzo, Library, Ricetto, column, elevation (verso)

Drawn by Anonymous, French, 16th century

St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso)

Drawn by Anonymous, French, 16th century

Moldings for Library Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso)

Drawn by Anonymous, French, 16th century

Tomb of Annia Regilla, plan (recto) Arch of the Argentarii, ornamental details, elevation (verso)

Drawn by Anonymous, French, 16th century

Moldings and Fretwork for China Case, from Chippendale Drawings, Vol. II

Thomas Chippendale

The General Proportion of the Tuscan Order, in Chippendale Drawings, Vol. I

Thomas Chippendale