The Bases of the Columns, in Chippendale Drawings, Vol. I

Bases and Caps of the Pedestals of Each Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

San Lorenzo, Library, Ricetto, entablature, elevation profile (recto) San Lorenzo, Library, Ricetto, column, elevation (verso)

Drawn by Anonymous, French, 16th century

St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso)

Drawn by Anonymous, French, 16th century

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso)

Drawn by Anonymous, French, 16th century

Portico Octavia, pediment and entablature, elevation; pediment, elevation (recto) Temple of Antoninus and Faustina, entablature, elevation (verso)

Drawn by Anonymous, French, 16th century

Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale

Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale

Unidentified, Composite base, elevation; Temple of Concordia, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)

Drawn by Anonymous, French, 16th century

Moldings and Fretwork for China Case, from Chippendale Drawings, Vol. II

Thomas Chippendale

Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)

Drawn by Anonymous, French, 16th century

Moldings for Desk and Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale