St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso)

Portico Octavia, pediment and entablature, elevation; pediment, elevation (recto) Temple of Antoninus and Faustina, entablature, elevation (verso)

Drawn by Anonymous, French, 16th century

Palazzo Massimo alle Colonne, entablature, elevation (recto); Portico, Doric capital and entablature, elevation and Unknown, Corinthian cornice, elevation (verso)

Drawn by Anonymous, French, 16th century

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso)

Drawn by Anonymous, French, 16th century

San Lorenzo, Library, Ricetto, entablature, elevation profile (recto) San Lorenzo, Library, Ricetto, column, elevation (verso)

Drawn by Anonymous, French, 16th century

Unidentified, Doric cornice, elevation; Theater of Marcellus, Doric cornice, elevation (recto) Unidentified, cornice, elevation (verso)

Drawn by Anonymous, French, 16th century

The Bases of the Columns, in Chippendale Drawings, Vol. I

Thomas Chippendale

Forum of Nerva, entablature, elevation; cornice, elevation (recto) Forum of Nerva, architrave panel, ceiling plan, Corinthian, capital (verso)

Drawn by Anonymous, French, 16th century

St Peter's apse, exterior niche section and details (recto) St Peter's apse, exterior niche elevation and profiles of details (verso)

Drawn by Anonymous, French, 16th century

Bases and Caps of the Pedestals of Each Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

Unidentified, cornice, projection; architrave, projection (recto) Unidentified, ceiling, plan (verso)

Drawn by Anonymous, French, 16th century

Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

Unidentified, Composite base, elevation; Temple of Concordia, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)

Drawn by Anonymous, French, 16th century