Meetkundig schema horizon schilderingen voor de eetzaal van A. van Hasselt

The Bases of the Columns, in Chippendale Drawings, Vol. I

Thomas Chippendale

Rule for Drawing the Spiral Lines of the Volute of the Ionic Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

Design for a Stage Set at the Opéra, Paris

Eugène Cicéri

Bases and Caps of the Pedestals of Each Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

San Lorenzo, Library, Ricetto, entablature, elevation profile (recto) San Lorenzo, Library, Ricetto, column, elevation (verso)

Drawn by Anonymous, French, 16th century

St. Peter's, tribune, exterior, entablature and cornice details (recto) Santa Maria Maggiore, Sforza Chapel, plan, detail (verso)

Drawn by Anonymous, French, 16th century

Portico Octavia, pediment and entablature, elevation; pediment, elevation (recto) Temple of Antoninus and Faustina, entablature, elevation (verso)

Drawn by Anonymous, French, 16th century

Moldings for Gothic Library Bookcase, from Chippendale Drawings, Vol. II

Thomas Chippendale

Unidentified, Doric cornice, elevation; Theater of Marcellus, Doric cornice, elevation (recto) Unidentified, cornice, elevation (verso)

Drawn by Anonymous, French, 16th century

Portico at the Porta Carmentalis, Tuscan capital and entablature, elevation; pier, section, detail (recto) S. Prassede, Quadriportico, Doric capital, elevation; Palazzo Massimo alle Colonne, column shaft, profile (verso)

Drawn by Anonymous, French, 16th century

Domus Augustiana, cornice, profile projection (recto) Ara Grimani, base (verso)

Drawn by Anonymous, French, 16th century

San Lorenzo, Library, plan; reflected ceiling plan; stair, detail (recto) San Lorenzo, Ricetto, plan (verso)

Drawn by Anonymous, French, 16th century