Anonymous, British, 18th century
60.632.78
Projections of Columns
Anonymous, British, 18th century
The General Proportion of the Tuscan Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
Ornamental Column Designs
Anonymous, British, 19th century
Unidentified, Composite base, elevation; Temple of Concordia, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Unidentified, Ionic capitals, two front and side elevations (recto) Doric impost, elevation of entablature (verso)
Drawn by Anonymous, French, 16th century
The General Proportions of the Corinthian Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
Design for a Door Frame, for 37 Tavistock Place, London
Anonymous, British, 19th century
Perspective study of an Arched Colonnade
Anonymous, French, 16th century, Workshop of Jacques Androuet Du Cerceau
The General Proportion of the Ionick [Ionic] Order, in Chippendale Drawings, Vol. I
Thomas Chippendale
Architectural Perspective Study Showing Two Column Bases (recto); Architectural Perspective Study Showing Column Capital and a Measurement Key (verso)
Anonymous, Italian, 17th century
Technical Drawing with a Section of an Oriel Window for the Tower of Lyndhurst for George Merritt, Tarrytown, New York
Alexander Jackson Davis
San Lorenzo, Library, Ricetto, portal to Ricetto, elevation; plan (recto) San Lorenzo, Library, Ricetto, portal from cloister, details (verso)
Drawn by Anonymous, French, 16th century