Unidentified, Composite base, elevation; Unidentified, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)

Unidentified, Composite base, elevation; Temple of Concordia, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)

Drawn by Anonymous, French, 16th century

Unidentified, Ionic capitals, two front and side elevations (recto) Doric impost, elevation of entablature (verso)

Drawn by Anonymous, French, 16th century

Forum of Nerva, entablature, elevation; cornice, elevation (recto) Forum of Nerva, architrave panel, ceiling plan, Corinthian, capital (verso)

Drawn by Anonymous, French, 16th century

Unidentified, cornice, projection; architrave, projection (recto) Unidentified, ceiling, plan (verso)

Drawn by Anonymous, French, 16th century

Basilica Ulpia, cornice, elevation profile with ornamental detailing; Domus Turciorum, entablature, elevation profile (recto) Domus Turciorum, elevation, perspective (verso)

Drawn by Anonymous, French, 16th century

San Lorenzo, Library, pilaster, elevation; soffit, detail, plan (recto) San Lorenzo, Library, entablature, section (verso)

Drawn by Anonymous, French, 16th century

Sketches for the Design of a Casket (recto); Battle of the Centaurs and Lapiths(?) (verso)

attributed to Girolamo da Carpi (Girolamo Sellari)

Temple of Portonus, capital, elevations and plan (recto) Unidentified, capital, elevation (verso)

Drawn by Anonymous, French, 16th century

Arch of Septimius Severus, ornamental cornice and pilaster (recto) Arch of Septimius Severus, cornice with ornamental frame moulding (verso)

Drawn by Anonymous, French, 16th century

Wall Decoration

Anonymous, Italian, 16th century

Arch of Septimius Severus, entablature, elevation; attic, base, elevation (recto) Arch of Septimius Severus, archivolt, elevation; impost, elevation; entablature, elevation; column base, elevation; column, plan (verso)

Drawn by Anonymous, French, 16th century

St Peter's, entablature profile; reflected ceiling details of the cornice, and profiles of column bases and pedestals (recto) St. Peter's, section through drum of model and entablature of upper story (verso)

Drawn by Anonymous, French, 16th century, Circle of Etienne DuPérac