Temple of Portonus, capital, elevations and plan (recto) Unidentified, capital, elevation (verso)

Unidentified, Ionic capitals, two front and side elevations (recto) Doric impost, elevation of entablature (verso)

Drawn by Anonymous, French, 16th century

Unidentified, Ionic capital, elevation, front and side (recto) Unidentifed, Ionic capital, section, detail; Ionic capital, elevation, detail (verso)

Drawn by Anonymous, French, 16th century

Unidentified, Composite base, elevation; Temple of Concordia, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)

Drawn by Anonymous, French, 16th century

Basilica Ulpia, cornice, elevation profile with ornamental detailing; Domus Turciorum, entablature, elevation profile (recto) Domus Turciorum, elevation, perspective (verso)

Drawn by Anonymous, French, 16th century

Designs for Dishes

Alfred Henry Forrester [Alfred Crowquill], Probably commissioned by Samuel Alcock & Company

Design for a Sarcophagus on a Pedestal

Anonymous, French, 16th century, Workshop of Jacques Androuet Du Cerceau

Brackets for Bustos, in Chippendale Drawings, Vol. I

Thomas Chippendale

Unidentified, Composite base, elevation; Unidentified, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)

Drawn by Anonymous, French, 16th century

Sideboard Tables, from Chippendale Drawings, Vol. II

Thomas Chippendale

Unidentified, cornice, projection; architrave, projection (recto) Unidentified, ceiling, plan (verso)

Drawn by Anonymous, French, 16th century

The General Proportion of the Ionick [Ionic] Order, in Chippendale Drawings, Vol. I

Thomas Chippendale

San Lorenzo, New Sacristy, niche frame, tabernacle, plan and elevation (recto) San Lorenzo, New Sacristy, entablature, cornice, and base of niche, profiles (verso)

Drawn by Anonymous, French, 16th century