attributed to Girolamo da Carpi (Girolamo Sellari)
1998.465a, b
Unidentified, cornice, projection; architrave, projection (recto) Unidentified, ceiling, plan (verso)
Drawn by Anonymous, French, 16th century
Sketches of Sculptured Decoration. Entablatures and a Frieze with Human, Animal and Floral Ornaments
After Agostino (Stanzani) Mitelli
Design for a Sarcophagus on a Pedestal
Anonymous, French, 16th century, Workshop of Jacques Androuet Du Cerceau
Drawing for Engraving in Raccolta di Vari Schizzi, Venice, after Angelo Rosis
Antonio Maria Visentini
Alternate Designs for Decorated Bases or Pedestals
Anonymous, French, 18th century
Unidentified, Composite base, elevation; Unidentified, Composite base, elevation; Unidentified, Composite base, elevation (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Two Alternate Designs for an Altar
Anonymous, Italian, Piedmontese, 18th century
Studies of Architectural Moldings, of the Virgin and Child with a Kneeling Saint, and of Two Angels Supporting Frames (recto); Studies for Architectural Mouldings (verso)
Baldassarre Franceschini (il Volterrano)
Brackets, Caryatids and other Architectural Details (recto and verso)
Attributed to Gilles-Marie Oppenord
St. Peter's, apse, partial elevation (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Side view of an Altar with Red Marble to be set against a Wall
Anonymous, Flemish
Arch of Septimius Severus, entablature, elevation; attic, base, elevation (recto) Arch of Septimius Severus, archivolt, elevation; impost, elevation; entablature, elevation; column base, elevation; column, plan (verso)
Drawn by Anonymous, French, 16th century