The Opera Boxes During the Time of the Great Exhibition

The Theatre

Thomas Rowlandson, After James Green, Rudolph Ackermann, London

Covent Garden Theatre

Thomas Rowlandson, Henry Brookes, George III, King of Great Britain and Ireland, Charlotte, Queen of England

Comedy Spectators, Tragedy Spectators

Thomas Rowlandson, S. W. Fores

The Boxes

Thomas Rowlandson

Covent Garden Theatre

Thomas Rowlandson, S. W. Fores

Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse)

Bernard Picart, After Charles Antoine Coypel

The Stage. George Primrose as "Horatio"

Thomas Rowlandson, Oliver Goldsmith, Letterpress by William Clowes, Rudolph Ackermann, London

Odds & Ends, in, out & about, the Great Exhibition of 1851

George Cruikshank, David Bogue

Grown Gentlemen Taught to Dance

After (?) Henry William Bunbury, or After (?) Thomas Rowlandson, Rudolph Ackermann, London

Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno)

Jakob van Schley, After Charles Antoine Coypel

Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Curtain!!!, from 'News of the day,' published in "Le Charivari"

Honoré Daumier, Destouches, Arnaud de Vresse