Plate 27: Doña Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue, s'entretenant de nuit avec Don Quichotte, est suprise par les Demoiselles de las Duchesse)

Le danger du tête-à-tête

After Pierre Antoine Baudouin, Jean-Baptiste-Blaise Simonet

Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno)

Jakob van Schley, After Charles Antoine Coypel

A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795

Jean-Louis Delignon, After Jean Honoré Fragonard, Pierre Didot l'ainé

Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"

Jean-Baptiste Tilliard, After Jean Honoré Fragonard, Jean de La Fontaine, Pierre Didot l'ainé

Queen Margaret and Suffolk (Shakespeare, Henry VI, Part II, Act 3, Scene 2)

Charles Heath, the elder, After John Massey Wright, William Shakespeare

Lafontaine Tales, Amsterdam

Joseph de Longueil

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Cassandra, Frontispiece, Vol. 3

William Hogarth, Related author Gautier de Coste de La Calprenède

Le Cocu battu et content, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"

Jean-Louis Delignon, After Jean Honoré Fragonard, Jean de La Fontaine, Pierre Didot l'ainé

The Innkeeper's Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Quixote)

William Hogarth, Illustration of Miguel de Cervantes Saavedra