Prologue; the stage curtain is lifted to reveal a soldier on an elephant surrounded by his army; above Jupiter and his eagle look down on men carrying boulders; set design from 'La Monarchia Latina Trionfante'

An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

The Seat of Saturn; Saturn at center, seated on a throne of rubble, conversing with a king and three men who stand before him; lining the walls on each side are four figures of Saturn devouring children; set design from 'La Monarchia Latina Trionfante'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Apotheosis of the Arts

Jan Muller, After Bartholomeus Spranger, Harmen Jansz. Muller

Apotheosis of the Arts

Jan Harmensz. Muller

Allegorische triomfoptocht van een vorst of veldheer

François van Bleyswijck

Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Power, represented by a woman seated on clouds holding a crown and surrounded by putti

Carlo Innocenzo Carloni, Johann Daniel Herz the Elder

Kroning van een Magistraat

Unknown Artist

The Wedding of Cupid and Psyche

Hendrick Goltzius

Vignette for an Address

Gabriel Jacques de Saint-Aubin

Allegory of the Triumph of the Netherlands over Spain

Jan Saenredam

Magnificent Hall of Astrea; men and women gathered in the street to view a procession through a triumphal arch and down the stairs into the city; the procession is led by a female wearing a crown, she is followed by various figures in varying costume; set design from 'La Monarchia Latina Trionfante'

Mathäus Küsel, after Ludovico Ottaviano Burnacini