Mathäus Küsel, after Ludovico Ottaviano Burnacini
53.600.3582
A sacrifice to the Olympian gods taking place at the end of a path lined with statues and foliage; set design from 'Il Fuoco Eterno'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
A large group gathered in a courtyard before a domed structure; musicians play at left; set design from 'Il Fuoco Eterno'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
The royal family sitting under a canopy, watching dancers perform the final ballet of 'La Costanza d'Ulisse'
Johann Ulrich Kraus, after Ludovico Ottaviano Burnacini
Triumphal Entry of King
Anonymous, German, 17th century
The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
3e Intermède (3rd Interlude), from "Les Intermèdes" (The Interludes)
Jacques Callot, After Giulio Parigi
Magnificent Hall of Astrea; men and women gathered in the street to view a procession through a triumphal arch and down the stairs into the city; the procession is led by a female wearing a crown, she is followed by various figures in varying costume; set design from 'La Monarchia Latina Trionfante'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Proscenium for Angelica, Vincitrice di Alcina
Franz Ambros Dietel, After Giuseppe Galli Bibiena
Theater at Modena, seen from above and filled with spectators, with a triumphal car at center and horses in formation at lower left and right, from 'La Gara delle Stagioni'
Stefano della Bella
First Intermezzo of the Veglia of the“Liberation of Tyrsenus and Arnea"
Jacques Callot
Soliman 2.e Acte, from "Soliman"
Jacques Callot, Prospero Bonarelli