The Elysian Fields; set design from 'La Monarchia Latina Trionfante'

The Pool of Bethesda (St. John, Chapter 5)

Simon Francis Ravenet, the elder, Victor Marie Picot, After William Hogarth, John Boydell

Vignette (Tome 1.er, page 164, lib. II, fab. 15), Jupiter Carries Europa Away, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi

Augustin de Saint-Aubin, After François Boucher, Ovid, Abbé Antoine Banier, Chez Despilly

Stage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza'

Carlo Antonio Forti

Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Perino del Vaga

Philippe Simonneau, After Perino del Vaga (Pietro Buonaccorsi)

Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Amorini Celebrate the Rape of Proserpine

Francesco Rosaspina, After Francesco Albani

Vignette (Tome 1.er, page 200, lib. III, fab. 3), depicting Diana Turning Actaeon into a Stag, from Les Métamorphoses d'Ovide en Latin et en François de la traduction de M. l'Abbé Banier de l'Académie Royale des Inscriptions et Belles-Lettres. Avec des explications historiques. A Paris Chez Despilly rue saint Jacques à la croix d'or. MDCCLXVII. Avec Approbation et Privilège du Roi

Augustin de Saint-Aubin, After François Boucher, Ovid, Abbé Antoine Banier, Chez Despilly

The Judgment of Paris

Giulio Bonasone

A man and a woman conversing at center, surrounded by a row of young men to the right and young women to the left, Mercury appears at top left corner; set design from 'Il Pomo D'Oro'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca

After Pietro Testa, Arnold van Westerhout

Allegory of the Marriage of the Dauphin Louis to the Infanta Maria Theresa of Spain

Pierre-Antoine Baudouin

The Seat of Saturn; Saturn at center, seated on a throne of rubble, conversing with a king and three men who stand before him; lining the walls on each side are four figures of Saturn devouring children; set design from 'La Monarchia Latina Trionfante'

Mathäus Küsel, after Ludovico Ottaviano Burnacini