Mathäus Küsel, after Ludovico Ottaviano Burnacini
53.600.3560
Courtyard of a palace with a man standing at center surrounded by attendants; above, a vision of a woman in a similar scene; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Arsenal of Mars; a group of soldiers standing across from a group of women in an arsenal; ships off in the distance; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Atrium of the Palace of Venus; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Amphitheater with two groups of soldiers running toward each other; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Dancing couples surround four standing women in a barrel-vaulted hall, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau
1er Intermède (1st Interlude), from Les Intermèdes (The Interludes)
Jacques Callot, After Giulio Parigi
A city under siege with elephants and soldiers throughout; Mars looking down from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini
A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais
After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro'
Mathäus Küsel, after Ludovico Ottaviano Burnacini