Two Alternate Designs for Triumphal Arch

Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical Figures

Francesco Maria Richini (or Ricchino)

Porta Pia, elevation (recto) Porta Pia, window, elevation; section (verso)

Drawn by Anonymous, French, 16th century

San Lorenzo, Library, Ricetto, entry portal from library, elevation (recto) San Lorenzo, Library, Ricetto, entry portal from library, plan and section (verso)

Drawn by Anonymous, French, 16th century

San Lorenzo, Library, entry portal to library, elevation (recto) San Lorenzo, Library, entry portal to library, section; entry portal to library, side elevation (verso)

Drawn by Anonymous, French, 16th century

San Lorenzo, Library, Ricetto, entry portal to library, elevation (recto) San Lorenzo, Library, Ricetto, entry portal to library, plan and wall detail (verso)

Drawn by Anonymous, French, 16th century

Design for a Triumphal Arch

Anonymous, French, 18th century, Anonymous, French, 19th century

San Lorenzo, north portal, elevation (recto) San Lorenzo, north portal, cornice, profile (verso)

Drawn by Anonymous, French, 16th century

Altar Frame

Anonymous, Italian, 16th century

Design for a Reredos or Frame and Setting for an Altar Painting

Pomarancio (Cristoforo Roncalli)

Design for Window

Anonymous, Italian, 16th century

Design for the Entrance to a Chapel

Anonymous, Italian, Piedmontese, 18th century

San Lorenzo, New Sacristy, niche frame, tabernacle, plan and elevation (recto) San Lorenzo, New Sacristy, entablature, cornice, and base of niche, profiles (verso)

Drawn by Anonymous, French, 16th century