Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"

Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes)

Young woman weeping and covering her face with her hands, accompanied by men; folio 17 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes)

A charlatan extracting a tooth from a patient's mouth, figure in the foreground vomiting; folio 68 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)

Goya (Francisco de Goya y Lucientes)

The Death of Lucretia, from Allen's "New and Impartial Roman History"

William Blake, John Johnson, Related author Charles Allen

Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)

Goya (Francisco de Goya y Lucientes)

Maja and an officer; folio 22 (verso) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes)

Even thus he cannot make her out (Ni asi la distingue), plate 7 from "Los Caprichos"

Goya (Francisco de Goya y Lucientes)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Goya (Francisco de Goya y Lucientes)

They are getting drunk; folio 67 (recto) from the Madrid Album "B"

Goya (Francisco de Goya y Lucientes)

Plate 80 from "Los Caprichos": It is time (Ya es hora)

Goya (Francisco de Goya y Lucientes)

Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)

Goya (Francisco de Goya y Lucientes)