Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

The rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of Bullfighting

Francisco José de Goya y Lucientes

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open

Goya (Francisco de Goya y Lucientes)

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls

Goya (Francisco de Goya y Lucientes)

The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of Bullfighting

Francisco José de Goya y Lucientes

Bullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms

Francisco de Goya

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Goya (Francisco de Goya y Lucientes)

Bullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls

Francisco de Goya

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body

Goya (Francisco de Goya y Lucientes)

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse

Goya (Francisco de Goya y Lucientes)

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous

Goya (Francisco de Goya y Lucientes)

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid

Goya (Francisco de Goya y Lucientes)

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

Goya (Francisco de Goya y Lucientes)