The rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of Bullfighting

The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of Bullfighting

Francisco José de Goya y Lucientes

Bullfights: The Rabble Hamstringing the Bull with Lances, Sickles, Banderillas and Other Arms

Francisco de Goya

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Goya (Francisco de Goya y Lucientes)

Bullfights: The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls

Francisco de Goya

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting

Francisco José de Goya y Lucientes

Another way of hunting on foot, plate two from The Art of Bullfighting

Francisco José de Goya y Lucientes

Bullfights: They Play Another with the Cape in an Enclosure

Francisco de Goya

Bullfights: The Moors Settled in Spain, Giving Up the Superstitions of the Qur’an, Adopted this Art of Hunting, and Spear a Bull in the Open

Francisco de Goya

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open

Goya (Francisco de Goya y Lucientes)

The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, plate 14 from The Art of Bullfighting

Francisco José de Goya y Lucientes

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Goya (Francisco de Goya y Lucientes)

Bullfights: Another Way of Hunting on Foot

Francisco de Goya