Sixth scene, the heavens, from "The marriage of the gods" (Le nozze degli Dei)

Sixth scene, the heavens, from "The marriage of the gods" (Le nozze degli Dei)

Stefano della Bella, After set by Alfonso Parigi, Ferdinando II de' Medici, Grand Duke of Tuscany, Massi & Landi

First Intermezzo of the Veglia of the“Liberation of Tyrsenus and Arnea"

Jacques Callot

The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

A sacrifice to the Olympian gods taking place at the end of a path lined with statues and foliage; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Final ballet of 'L'Euleo festeggiante nel ritorno d'Alessandro dall'India'

Johann Ulrich Kraus, after Ludovico Ottaviano Burnacini

Grotto scene with Vulcan, from "The marriage of the gods" (Le nozze degli Dei)

Stefano della Bella

3e Intermède (3rd Interlude), from "Les Intermèdes" (The Interludes)

Jacques Callot, After Giulio Parigi

Theater at Modena, seen from above and filled with spectators, with a triumphal car at center and horses in formation at lower left and right, from 'La Gara delle Stagioni'

Stefano della Bella

A large group gathered in a courtyard before a domed structure; musicians play at left; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Decoration of the Hall of Spectacles

Charles-Nicholas Cochin, the younger