Landscapes and Street Corners: Moving

Three Breton Women with Infants

Armand Séguin

Opening Page of Book VIII of Valerius Maximus's Facta et dicta memorabilia

Flanders

Meanwhile They Keep on Insisting that She Has Never Been Better, plate 183 from Actualités

Honoré-Victorin Daumier

The Ploughman and his Horse

Charles Meryon

Fourth Performance: Le Devoir, for Le Théatre Libre

Henri-Gabriel Ibels

Embarcation of a Lady. “Get in without fear Miss Josephine....You don't have to be afraid from neither the current nor the boatmen... they are all Frrrrrench.... we actually wanted to salute you with 101 canon shots, but we didn't get the authorization from the Government!...,” plate 15 from Les Canotiers Parisiens

Honoré-Victorin Daumier

Baliverneries Parisiennes

Paul Gavarni

Etchings of Paris: Hope

Charles Meryon

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Honoré-Victorin Daumier

“- And to think that Prudhon did not want us to attend the socialist banquets.... the poor man has never loved..... he totally ignores that it is the woman's presence which beautifies existence,” plate 184 from Actualités

Honoré-Victorin Daumier

Sixth Performance: Boubourouche; Valet de Coeur, for Le Théatre Libre

Henri-Gabriel Ibels

Lunar Law

Charles Meryon