In front of Mr. Gustave Moreau's paintings, from 'Exhibition sketches,' published in Le Charivari, June 3, 1864

Looking at a Manet painting, from 'Sketches from the Salon,' published in Le Charivari, June 19, 1865

Honoré Daumier, Destouches, Aaron Martinet

La peintre qui a eu un tableau refuse, from L'Exposition de 1859, published in Le Charivari, April 27, 1859

Honoré Daumier, Destouches, Aaron Martinet

A misapprehension at the Odeon, on a day of drama, from 'Theater sketches,' published in Le Charivari, May 4, 1864

Honoré Daumier, Destouches, Aaron Martinet

Ma femme m'a recommandé de lui rapporter mon portrait fait à Paris..., from Dans la Salle des Ventes, published in Le Charivari, April 4, 1859

Honoré Daumier, Destouches, Aaron Martinet

Viens donc..., mon ami, je ne trouve pas ce tableau joli, from L'Exposition de 1859, published in Le Charivari, June 21, 1859

Honoré Daumier, Destouches, Aaron Martinet

Don't worry, I'll take good care of your case, I am from Normandy, just like you, from 'Types and features,' published in Le Charivari, June 21, 1864

Honoré Daumier, Destouches, Aaron Martinet

Ah, my dear sir, allow me to tell you that this year you have quite simply exhibited a masterpiece, from 'Sketches from the Salon,' published in Le Charivari, May 31, 1865

Honoré Daumier, Destouches, Aaron Martinet

You're not having anything?, from 'Parisian sketches,' published in Le Charivari, November 2-3, 1865

Honoré Daumier, Destouches, Aaron Martinet

A Misapprehension at the Odeon, on a Day of Drama. “- Come on, come on let's go! - I am telling you it's not finished. The curtain has gone up again and there is still Roman on the stage,” plate 4 from Croquis Pris Au Théatre par Daumier

Honoré-Victorin Daumier

Monsieur le concierge, allant en soirée avec mon épouse..., from Les Portiers de Paris, published in Le Charivari, November 30, 1858

Honoré Daumier, Destouches, Aaron Martinet

Just look what a degenerated and corrupt world we are living in...., from 'Sketches from the Salon,' published in Le Charivari, June 8, 1865

Honoré Daumier, Destouches, Aaron Martinet

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier

Honoré-Victorin Daumier