Gioanni, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)

Gioanni, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)

Jacques Callot

1611 - 1619 Print

62.602.763

Metropolitan Museum of Art

Find similar Show on map

About this artwork

Similar artworks

The Slave Merchant

The Slave Merchant

Claude Augustin Duflos le Jeune, After François Boucher

The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote)

The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote)

William Hogarth, Related author Miguel de Cervantes Saavedra

The Curate and the Barber Disguising Themselves to convey Don Quixote Home (Six Illustrations for Don Quixote)

The Curate and the Barber Disguising Themselves to convey Don Quixote Home (Six Illustrations for Don Quixote)

William Hogarth, Illustration of Miguel de Cervantes Saavedra

Joseph and Potiphar's Wife, from "The Story of Joseph"

Joseph and Potiphar's Wife, from "The Story of Joseph"

Georg Pencz

The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna Theresa

The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna Theresa

William Hogarth, Related author Charles Gildon, Related author Lucius Madaurensis Apuleius

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Frontispiece to "The Farmer's Return"

Frontispiece to "The Farmer's Return"

James Basire, the elder, After William Hogarth, David Garrick

Lafontaine Tales, Amsterdam

Lafontaine Tales, Amsterdam

Joseph de Longueil

The soldier kissing the woman's hand (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)

The soldier kissing the woman's hand (from John Ogilby, "Aesopics or a Second Colllection of Fables," 1668)

Wenceslaus Hollar, Related author John Ogilby, Aesop

Husband-Beater

Husband-Beater

Abraham Bosse, Jean I Leblond

The New Metamorphosis, Plate 4: Invidiosa Releases Fantasio

The New Metamorphosis, Plate 4: Invidiosa Releases Fantasio

William Hogarth, Related author Charles Gildon, Related author Lucius Madaurensis Apuleius

Le Couronnement D'Épines (The Crowning with Thorns), from "La Grande Passion" (The Large Passion)

Le Couronnement D'Épines (The Crowning with Thorns), from "La Grande Passion" (The Large Passion)

Jacques Callot