Costume of Endymion from the Ballet "Triumph of Love" (Habit d'Andimion du balet du 'Triomphe de l'amour)

Costume of Endymion from the Ballet "Triumph of Love" (Habit d'Andimion du balet du 'Triomphe de l'amour)

After Jean Berain, Juan Dolivar, Jacques LePautre

1676 - 1686 Print

60.643.2

Metropolitan Museum of Art

Find similar Show on map

About this artwork

Similar artworks

Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour)

Costume of an Indian Woman from the Ballet "Triumph of Love" (Habit d'Indienne du balet du Triomphe de l'amour)

Juan Dolivar, After Jean Berain, Printed by Jacques LePautre

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Monsieur Le Frizeur

Monsieur Le Frizeur

Attributed to Henry William Bunbury, Matthias Darly, Mary Darly

A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Costume Study for Belmonte in the "Abduction from the Seraglio" by W.A. Mozart

Costume Study for Belmonte in the "Abduction from the Seraglio" by W.A. Mozart

Johann Georg Christoph Fries, Angelo Quaglio

A Bravura Air. Mandane

A Bravura Air. Mandane

James Gillray, Hannah Humphrey, Elizabeth Billington, Related composer Thomas Augustine Arne

A Choice Spirit

A Choice Spirit

George Murgatroyd Woodward, Published London by William Holland

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

Théâtre Italien, from "Le Miroir"

Théâtre Italien, from "Le Miroir"

Eugène Delacroix, Charles Motte

Edmund Kean as Richard III

Edmund Kean as Richard III

George Cruikshank, Edmund Kean, William Shakespeare

Gentleman Holding a Crop

Gentleman Holding a Crop

Anonymous, French, 17th century, After Abraham Bosse, After Jean de Saint-Igny

From Eaton

From Eaton

Philippe Jacques de Loutherbourg, Robert Sayer and John Bennett, Possible subject Richard Grosvenor, 1st Earl Grosvenor