Plate 17: Don Quixote is served by the ladies of the Duchess (Don Quichotte est servi par les Demoiselles de la Duchesse)

Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno)

Jakob van Schley, After Charles Antoine Coypel

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

The Ball

Abraham Bosse, Jean I Leblond

The Bride Taken Home (La Mariée reconduite chez elle)

Abraham Bosse, Published by Jean I Leblond

Gunhilda accused of adultery

Simon Francis Ravenet, the elder, After Andrea Casali, John Boydell

Lafontaine Tales, Amsterdam

Joseph de Longueil

The Ball

Abraham Bosse

Le Mari Confesseur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"

Jean-Baptiste Tilliard, After Jean Honoré Fragonard, Jean de La Fontaine, Pierre Didot l'ainé

The Wedding of Lismahago and Tabitha, an illustration from Tobias Smollett's "The Expedition of Humphry Clinker" (London, 1793), Vol. 1. 1793

Charles Grignion, I, After Thomas Rowlandson, James Sibbald

Frontispiece for Fanny Burney's "Evelina": Mr. Lovel Bitten in the Ear by Captain Mirvan's Monkey, vol. III

Francesco Bartolozzi, After John Hamilton Mortimer, Frances Burney, T. Lowndes

Ontwerp voor de titelprent van De Glorieus, of de Vernederde Hoogmoed

Simon Fokke

The Prodigal Son Changes His Clothes

Abraham Bosse, Jean I Leblond