After Henri de Toulouse-Lautrec, Vanier
51.640
A Spectator (from Le Café Concert)
Henri de Toulouse-Lautrec, Edward Ancourt, l'Estampe Originale
A Spectator (from Le Café Concert)
Henri de Toulouse-Lautrec, Edward Ancourt, l'Estampe Originale
La Tige, Moulin Rouge
Henri de Toulouse-Lautrec, Edouard Kleinmann
Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier
Honoré-Victorin Daumier
Au Moulin Rouge: Un Rude! Un Vrai Rude!
Henri de Toulouse-Lautrec, Edward Ancourt, L'Escarmouche
Bohemes: On the road to the Assises Court
Paul Gavarni
Looking at a Manet painting, from 'Sketches from the Salon,' published in Le Charivari, June 19, 1865
Honoré Daumier, Destouches, Aaron Martinet
Les Invalides du Sentiment: Philibert le mauvais sujet
Paul Gavarni
Quiet!! My daughter is entering in communication with Dante, from 'The spiritualists,' published in Le Charivari, November 4, 1865
Honoré Daumier, Destouches, Aaron Martinet
A Sunday connoisseur, from 'At the Louvre,' published in Le Charivari, February 4, 1865
Honoré Daumier
Ah, my dear sir, allow me to tell you that this year you have quite simply exhibited a masterpiece, from 'Sketches from the Salon,' published in Le Charivari, May 31, 1865
Honoré Daumier, Destouches, Aaron Martinet
Well, if you look very closely, you might end up finding some quality! The color seems to be good, from 'Sketches from the Salon,' published in Le Charivari, June 16, 1865
Honoré Daumier, Destouches, Aaron Martinet