James I appointing Charles as King of Scotland at center, Minerva spearing Ignorance at right, and Hercules beating Envy at left

An allegorical scene showing the benefits of James' reign at center, Wise Government trampling Rebellion at right, and Liberty trampling Avarice at left

Simon Gribelin II, After Peter Paul Rubens, James I, King of England, Scotland and Ireland

Frieze-like composition of figures walking alongside draped curtains: at left satyrs and children bear a statue of Bacchus on a litter behind an old man (Silenus?), at center two robed satyrs approach a priest, at right Apollo lifts a cup next to satyrs seated at a round table

Pierre Brebiette

Woman seated with arms outstretched, personification of Fame with trumpet at right, set within an elaborate frame

Battista Angolo del Moro, Formerly attributed to Andrea Schiavone (Andrea Meldola), After Jacques Androuet Du Cerceau

Virgin Helps Louis XIII to Expel the Vices

Grégoire Huret

Lament of the Art of Painting (Upper Half)

Cornelis Cort, After Federico Zuccaro (Zuccari)

The Calumny of Apelles

Cornelis Cort, After Federico Zuccaro (Zuccari), Giovanni Orlandi

Apotheosis of the Arts

Jan Muller, After Bartholomeus Spranger, Harmen Jansz. Muller

Figure on horseback holding a sword and riding over a figure lying on the ground, set within an elaborate frame

Battista Angolo del Moro, Formerly attributed to Andrea Schiavone (Andrea Meldola), After Jacques Androuet Du Cerceau

Allegory of Venetian Power

attributed to Andrea Celesti

Four women surrounding a seated figure, a bird above them, set within an elaborate frame

Battista Angolo del Moro, Formerly attributed to Andrea Schiavone (Andrea Meldola), After Jacques Androuet Du Cerceau

Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...), from "Jason and the Golden Fleece"

René Boyvin, After Leonard Thiry

Study for the Decoration of a Vault

Carlo Alberto Baratta