Plate 81: Erysichthon Selling his Daughter (Diversas induta Mitra diversis divenditur), from Ovid's 'Metamorphoses'

Plate 136: Circe Changing Picus into a Bird (Circes concubitum detestatur Picus), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 102: Midas with the Ears of an Ass (Midae ob iudicij craßustiem aures asininae), from Ovid's 'Metamorphoses'

Antonio Tempesta

Apollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133

Antonio Tempesta

Pltae 70: Procris Giving Cephalus a Dog and a Javelin (Cephalus et iaculo inevitabili, et cane pernicißimo a Procride donatur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Juno asks Aeolus to raise a storm against the Trojan fleet, set within an elaborate frame, from "Loves, Rages and Jealousies of Juno"

Giulio Bonasone

Aeneas, Venus, and Achates

Conte Pietro Antonio Rotari

Allegory of Surgery

Charles-Nicholas Cochin, the younger

Apollo and the Cumean Sibyl

Salvator Rosa

Two naked men, the sons of Noah, standing in profile facing right, both pointing

Attributed to Marcantonio Raimondi, After (?) Michelangelo Buonarroti

Plate 117: The Dispute over Achilles' Armor (Disceptatio inter Aiacem et Ulyssem propter arma Achillis), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 20: Mercury Turning Aglauros to Stone (Aglauros a Mercurio in lapidem transformatur), from Ovid's 'Metamorphoses'

Antonio Tempesta

Plate 15: Psyche relating her misfortunes to her sisters, from "The Fable of Cupid and Psyche"

Master of the Die, After Michiel Coxie (I), Antonio Salamanca