The Epiphany of the New Antichrist (L'Epiphane du Nouveau Antichrist)

Panurge secondé

Romeyn de Hooghe

L'Europe Allarmée

Romeyn de Hooghe

Hollands Hollende Koe (Holland’s Running Cow)

Gaspar Bouttats, In the manner of Romeyn de Hooghe

Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 7)

William Hogarth, Philip Overton, John Cooper, Illustrates Samuel Butler

La Foire de Gonesse, from Choix de chasons mises in musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Academie Royale de Musique rue du Foin Siant-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du Roi. Gravées par Moria et M.lle Vendôme

Jean Michel Moreau le Jeune, Academie Royale de Musique, de Lormel

The Large Miseries of War: Distribution of Recompense

Jacques Callot

Intartenimento che demo ogni giorno li Ciarlatani from Habiti d'huomeni et donne Venetiane

Giacomo Franco

News from America, or the Patriots in the Dumps

Anonymous, British, 18th century

The leaders of two armies conversing, their respective troops and camps on either side; above, Minerva observes from her chariot; set design from 'Il Pomo D'Oro'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

The Executioner, from Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence)

Jacques Callot, After Donato Mascagni

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for 'The mad day, or the marriage of Figaro' (La Folle journée, ou le mariage de Figaro) by Pierre Augustin Caron de Beaumarchais

After Jacques Philippe Joseph de Saint Quentin, Claude Nicolas Malapeau

News from America, or the Patriots in the Dumps

Anonymous, British, 18th century