Cover for 'Un Casamiento de Indios', a wedding procession following a bride and groom

Cover for 'Juan Pico de Oro', a man in a pulpit addressing a crowd before him

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Coleccion de Comedias y Zarzuelitas para Niños', woman on stage flanked by two men

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Del Pequeño Adivinadorcito', a young boy resting his head on his hand and writing at a desk

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Cantares Oaxaqueños: Nueva Coleccion de Canciones Modernas para 1898', couples walking arm in arm on the outskirts of a town

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for "Los Chascos de Bato y Bras o una Eccena Divertida"

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Tango Fatal! Coleccion de Canciones Modernas'

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Rosendito, Los Leones, y El Sapo', a young boy and man holding walking sticks

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'El Casamiento Fustrado', a man and woman walking arm in arm, a train in the background

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Canciones Modernas para 1898: Los Parranderos', group of men holding a banner and singing

José Guadalupe Posada, Antonio Vanegas Arroyo

Front and back covers printed on the same sheet for a collection of love letters / stories (number 12)

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'La Revoltosa', a woman standing in the middle of a saloon surrounded by people playing games and music

José Guadalupe Posada, Antonio Vanegas Arroyo

Front and back covers of a phamplet relating to the story 'The thieves and the National Valley' with illustration of Indigenous men and women being herded by men in military uniforms towards a train, on the verso 'Dance of the Snake' and a corrido

José Guadalupe Posada, Antonio Vanegas Arroyo