Front and back covers printed on the same sheet for a collection of songs for the year 1901 (number 5), a man on his knees before a woman

Cover for 'Muestras para Bordado', a woman embroidering

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Coleccion de Cartas Amorosas Cuaderno No. 2', a couple embracing

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'La Paloma Azul : Coleccion de Canciones Modernas Para 1901', two couples dancing while a dove flies in between them

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Los Sueños y Las Pesadillas', a man and woman arguing while another figure peers out from behind a curtain

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Tango Fatal! Coleccion de Canciones Modernas'

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Olas que el Viento Arrastran para 1901', a man serenading a woman in a row boat

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'La Rumba: Coleccion de Canciones Modernas para el Presente Año 1903', a conductor and a drummer performing on stage for an audience

José Guadalupe Posada, Antonio Vanegas Arroyo

Covers for 'La Pesadilla de Alejito o el Almuerzo de Acotes' and 'Juan Ceniza'

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'La Revoltosa', a woman standing in the middle of a saloon surrounded by people playing games and music

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for "Nueva Coleccion de Canciones para el Presente Año"; a man with a guitar placing his arm around a woman's shoulder while another woman watches them

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Canciones Modernas para 1898: Los Parranderos', group of men holding a banner and singing

José Guadalupe Posada, Antonio Vanegas Arroyo

Cover for 'Las Torres Blancas', a group of people walking and looking up at two white towers

José Guadalupe Posada, Antonio Vanegas Arroyo