Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century, After Battista Franco, Formerly attributed to Enea Vico, Claudio Duchetti, Former publisher Antonio Lafreri

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century, Formerly attributed to Enea Vico, After Battista Franco, Probably published by Antonio Lafreri

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century, Formerly attributed to Enea Vico, After Battista Franco, Probably published by Antonio Lafreri

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century, After Battista Franco, Formerly attributed to Enea Vico, Claudio Duchetti, Former publisher Antonio Lafreri

Subjects after Antique Cameos and Gems, from "Speculum Romanae Magnificentiae"

Anonymous, Italian, 16th century, After Battista Franco, Formerly attributed to Enea Vico, Claudio Duchetti, Former publisher Antonio Lafreri

Six subjects after antique cameos: female figures tending to a seated male figure; putti and dolphins; female figure holding the reins of a pair of rearing horses; intertwined naked figures flanked by music-playing satyrs; triton with shield-bearing female figure; naked male figure seated on goat-headed sea creature

Battista Franco

Figures from the Ceiling of the Sistine Chapel

Adamo Scultori

Figures from the Ceiling of the Sistine Chapel

Adamo Scultori

Figures from the Ceiling of the Sistine Chapel

Adamo Scultori

Bacchanale with Eight Figures, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Engraved by Anonymous, Italian, 16th century, After Battista Franco, Formerly attributed to Enea Vico, Philippe Thomassin, Francesco Angeloni

Figures from the Ceiling of the Sistine Chapel

Adamo Scultori

The Cumeaean sibyl walking to the right and carrying a tray, followed by three women, set within an elaborate frame

Battista Angolo del Moro, Formerly attributed to Andrea Schiavone (Andrea Meldola), After Jacques Androuet Du Cerceau