Interior of an Opera House, Showing the Stage and the Boxes with Their Occupants

Kingdom of Jove with the banquet of the gods; set design from 'Il Pomo D'Oro'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Sweet is the voice whose powers can move / And call the vagrant heart to love, from "The Dance of Life"

Thomas Rowlandson, William Combe

Arsenal of Mars; a group of soldiers standing across from a group of women in an arsenal; ships off in the distance; set design from 'Il Pomo D'Oro'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

A large group gathered in a courtyard before a domed structure; musicians play at left; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Design for an Arabesque with Cupid and Psyche

Circle of Claude Gillot

The Arsenal; two soldiers conversing with two women on the right as a group of soldiers look on from the left; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

Design for a Stage Set

Anonymous, French, 19th century

The Roman curia with guards in the anteroom; set design from 'Il Fuoco Eterno'

Mathäus Küsel, after Ludovico Ottaviano Burnacini

1er Intermède (1st Interlude), from Les Intermèdes (The Interludes)

Jacques Callot, After Giulio Parigi

Stage Set with Peasants Meeting in Village Setting

Anonymous, Italian, 19th century

Kingdom of Pluto; a view of the underworld with Pluto and Proserpina enthroned at center, surrounded by demons; set design from 'Il Pomo D'Oro'

Mathäus Küsel, after Ludovico Ottaviano Burnacini