C'est tout d'même flatteur d'avoir son portrait à l'exposition, from Le Salon de 1857, published in Le Charivari, August 31, 1857

A rich man with bags of money at his feet sending people away

José Guadalupe Posada, José Sanchez

A Sunday connoisseur, from 'At the Louvre,' published in Le Charivari, February 4, 1865

Honoré Daumier

Artists Examining the Work of a Rival (Artistes en train d'examiner le tableau d'un rival), from Le Public du Salon, published in "Le Charivari"

Honoré Daumier, Aaron Martinet, Charles Trinocq

Le mauvais côté des nouveaux omnibus, from Croquis Parisiens, published in Le Charivari, September 4, 1856

Honoré Daumier, Destouches, Aaron Martinet

A Day When You Do Not Pay–Twenty-Five-Degree Heat (Un jour ou l'on ne paye pas. Vingt-cinq degres de chaleur ), from Le Public du Salon, published in Le Charivari, May 17, 1852

Honoré Daumier, Charles Trinocq, Maison Martinet-Hautecoeur, Frères

Tiens...vous m'aviez dit..., from Croquis Parisiens, published in Le Charivari, January 21, 1857

Honoré Daumier, Destouches, Aaron Martinet

Ce qui explique la voue des cache-nez, from "Croquis Parisiens"

Honoré Daumier, Destouches, Aaron Martinet

I had come to London to see a royal, but I only saw the back of another person's head, from "Little Miseries of Human Life"

J. J. Grandville, Paul-Emile-Daurand Forgues, Henri Fournier

May I come in my dear, or are you still collaborating with Monsieur?, plate 29 from "The Bluestockings"

Honoré Daumier, Aubert

Tre klovnermed hatte Fragment

Emile Othon Friesz

J'en voilons point d'vot' billet, from "La Comète de 1857"

Honoré Daumier, Destouches, Aaron Martinet

Voyons madame, un peu de courage..., from Les Comédiens de Société, published in "Le Charivari"

Honoré Daumier, Destouches, Aaron Martinet