Two alternative designs for a composition of Hagar, Ismael, and the Angel, with the artist’s iconographic notes on the subject matter (recto); Fragmentary composition with a reclining woman and a cropped seated figure (verso)

Two alternative designs for a composition of Hagar, Ismael, and the Angel, with the artist’s iconographic notes on the subject matter (recto); Fragmentary composition with a reclining woman and a cropped seated figure (verso)

Anonymous, Italian, Venetian, 17th century

1600 - 1700 Drawing

2024.237a, b

Metropolitan Museum of Art

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