Hongroise, plate 77 from "Recueil de cent estampes représentent differentes nations du Levant"

Hongroise, plate 77 from "Recueil de cent estampes représentent differentes nations du Levant"

After Jean Baptiste Vanmour, Jacques le Hay

1714 - 1715 Print

2019.282.70

Metropolitan Museum of Art

Find similar Show on map

About this artwork

Similar artworks

Fille de Tine, Isle de l'Archipel, plate 72 from "Recueil de cent estampes représentent differentes nations du Levant"

Fille de Tine, Isle de l'Archipel, plate 72 from "Recueil de cent estampes représentent differentes nations du Levant"

After Jean Baptiste Vanmour, Jacques le Hay, Jacques de Franssières

A woman standing, facing the left in profile, wearing a hat and a lace collar, reading from a prayer book, from "French Nobility at Church"

A woman standing, facing the left in profile, wearing a hat and a lace collar, reading from a prayer book, from "French Nobility at Church"

Abraham Bosse, After Jean de Saint-Igny

Mary, Queen of Scots

Mary, Queen of Scots

Georges Jacques Gatine, After Louis-Marie Lanté, Mary, Queen of Scots

La Dame au Masque (The Lady with a Mask), from "La Noblesse" (The Nobility)

La Dame au Masque (The Lady with a Mask), from "La Noblesse" (The Nobility)

Jacques Callot

Mary, Queen of Scots (from "Court Magazine and Monthly Critic and Lady's Magazine," volume IV)

Mary, Queen of Scots (from "Court Magazine and Monthly Critic and Lady's Magazine," volume IV)

Edward Hargrave, J. Page, Mary, Queen of Scots

Mary, Queen of Scots (from "Court Magazine and Monthly Critic and Lady's Magazine," volume IV)

Mary, Queen of Scots (from "Court Magazine and Monthly Critic and Lady's Magazine," volume IV)

Edward Hargrave, Dobbs & Co., Mary, Queen of Scots

Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand,  from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

After Claude Gillot, François Joullain

Ancienne Mode Françoise, plate 4 from "Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet" (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet)

Ancienne Mode Françoise, plate 4 from "Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet" (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved [etched] by F. Ravenet)

Simon Francis Ravenet, the elder, After François Boucher, Gabriel Huquier

Costume Study for Konstanze in the "Abduction from the Seraglio" by W.A. Mozart

Costume Study for Konstanze in the "Abduction from the Seraglio" by W.A. Mozart

Johann Georg Christoph Fries, Angelo Quaglio

Copy of La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from "La Noblesse" (The Nobility)

Copy of La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from "La Noblesse" (The Nobility)

Anonymous, After Jacques Callot

Fille de Chio, Isle de l'Archipel, plate 74 from "Recueil de cent estampes représentent differentes nations du Levant"

Fille de Chio, Isle de l'Archipel, plate 74 from "Recueil de cent estampes représentent differentes nations du Levant"

After Jean Baptiste Vanmour, Jacques le Hay, Gérard Jean Baptiste Scotin I

La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)

La Dame a l'Eventail (The Lady with a Fan), from "La Noblesse" (The Nobility)

Jacques Callot