René Boyvin, After Leonard Thiry
2018.839.53.1
Jason Arrives at Colchis (Enfin parvint jusqu'en Colchis Jason...), from "Jason and the Golden Fleece"
René Boyvin, After Leonard Thiry
Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...), from "Jason and the Golden Fleece"
René Boyvin, After Leonard Thiry
Queen Ino and the Husbandman (La reine Ino fait gâter la semence d'un an partout...), from "Jason and the Golden Fleece"
René Boyvin, After Leonard Thiry
Pelias Killed by his Daughters (Dont par pitié elles prennent courage son sang vider par violent outrage...), from "Jason and the Golden Fleece"
René Boyvin, After Leonard Thiry
Jason Throws a Rock at the Giants (Cette moisson va son semeur chercher a fer tranchant...), from "Jason and the Golden Fleece"
René Boyvin, After Leonard Thiry
Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge
Attributed to Giovanni Giardini
Frieze-like composition of figures walking alongside draped curtains: at left satyrs and children bear a statue of Bacchus on a litter behind an old man (Silenus?), at center two robed satyrs approach a priest, at right Apollo lifts a cup next to satyrs seated at a round table
Pierre Brebiette
Young woman drinking from a bowl, an old woman standing in front of her, set within an elaborate frame
Battista Angolo del Moro, Formerly attributed to Andrea Schiavone (Andrea Meldola), After Jacques Androuet Du Cerceau
The Children of Medea and Jason Give Creusa the Fatal Present (Par ses deux fils à l'épouse nouvelle envoyé en don la couronne mortelle...), from "Jason and the Golden Fleece"
René Boyvin, After Leonard Thiry
Medea Flees from Jason (L'épée au poing court Jason la poursuivre mais ne peut celle en vitesse aconsuivre...), from "Jason and the Golden Fleece"
René Boyvin, After Leonard Thiry
Elaborately Framed Roundel of Christ Washing the Feel of the Apostles
Anonymous, German, 19th century, Formerly attributed to Anonymous, Italian, 18th century
A young man offers his hand to a seated woman, another woman stands between them and a third blows a trumpet behind them, set within an elaborate frame
Battista Angolo del Moro, Formerly attributed to Andrea Schiavone (Andrea Meldola), After Jacques Androuet Du Cerceau