The Auspicious Noh Dance "Okina"

The Auspicious Noh Dance "Okina"

Toriyama Sekien

1790 - 1795 Painting

2015.300.135a–c

Metropolitan Museum of Art

Find similar Show on map

About this artwork

Similar artworks

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)

Chōbunsai Eishi

Portraits of Three Famous Poets: Kakinomoto no Hitomaro, Lady Ise, and Ono no Komachi

Portraits of Three Famous Poets: Kakinomoto no Hitomaro, Lady Ise, and Ono no Komachi

Tosa Mitsuoki, Tosa Mitsunari, Tosa Mitsutaka

Actors Onoe Tamizô I, Ichikawa Danjûrô V, and Osagawa Tsuneyo II, in (possibly) “A Dandyish Brocade: Opposing Warriors” (“Date Nishiki Tsui noYumitori”)

Actors Onoe Tamizô I, Ichikawa Danjûrô V, and Osagawa Tsuneyo II, in (possibly) “A Dandyish Brocade: Opposing Warriors” (“Date Nishiki Tsui noYumitori”)

Katsukawa Shunsho

White-Robed Kannon, Kanzan, and Jittoku

White-Robed Kannon, Kanzan, and Jittoku

Unidentified artist

Scenes from Essays in Idleness

Scenes from Essays in Idleness

Matsumura Goshun

Four Elders of Mt. Shang

Four Elders of Mt. Shang

Kano Tan’yū

Zen Master with Meditation Staff, and Chinese-Style Landscapes

Zen Master with Meditation Staff, and Chinese-Style Landscapes

Painting by Unkoku Tōeki, Calligraphy by Ten'yū Jōkō

The Actors Osagawa Tsuneyo II (right), Ichikawa Monnosuke II (center), and Segawa Kikunojo III (left), Possibly as Misao Gozen, Matsuya Soshichi, and the Courtesan Kojoro of Hakata, in the Play Chiyo no Hajime Ondo no Seto (Beginnings of Eternity: The Ondo Straits in the Seto Insland Sea) (?), Performed at the Kiri Theater from the Twenty-seventh Day of te Seventh Month, 1785

The Actors Osagawa Tsuneyo II (right), Ichikawa Monnosuke II (center), and Segawa Kikunojo III (left), Possibly as Misao Gozen, Matsuya Soshichi, and the Courtesan Kojoro of Hakata, in the Play Chiyo no Hajime Ondo no Seto (Beginnings of Eternity: The Ondo Straits in the Seto Insland Sea) (?), Performed at the Kiri Theater from the Twenty-seventh Day of te Seventh Month, 1785

Katsukawa Shunkо̄

Bando Mitsugoro II as Tennen no Mansaku-kitsune and Ichikawa Monnosuke III as Nikaido Shinanonosuke and Iwai Hanshiro IV as Okura no Kojoro-kitsune in the scene from the drama Moto Mishi Yuki Sakae Hachi-no-ki (Nidaime Bando Mitsugoro no Tennen no mansaku-kitsune, nidaime Ichikawa Monnosuke no Nikaido Shinanonosuke, yondaime Iwai Hanshiro no Okura no kojyoro-kitsune)

Bando Mitsugoro II as Tennen no Mansaku-kitsune and Ichikawa Monnosuke III as Nikaido Shinanonosuke and Iwai Hanshiro IV as Okura no Kojoro-kitsune in the scene from the drama Moto Mishi Yuki Sakae Hachi-no-ki (Nidaime Bando Mitsugoro no Tennen no mansaku-kitsune, nidaime Ichikawa Monnosuke no Nikaido Shinanonosuke, yondaime Iwai Hanshiro no Okura no kojyoro-kitsune)

Torii Kiyonaga

The Roles Reversed, no. 12 from a series of 12 prints

The Roles Reversed, no. 12 from a series of 12 prints

Okumura Masanobu

Eight Daoist Immortals, Cranes, and Gibbons

Eight Daoist Immortals, Cranes, and Gibbons

Kano Tanshin (Morimasa)

Chinese Woman in a Boat and Figures in Landscapes

Chinese Woman in a Boat and Figures in Landscapes

Attributed to Kano Kōi