Goya (Francisco de Goya y Lucientes)
16.4.4
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
Goya (Francisco de Goya y Lucientes)
A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting
Francisco José de Goya y Lucientes
Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
Goya (Francisco de Goya y Lucientes)
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body
Goya (Francisco de Goya y Lucientes)
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring
Goya (Francisco de Goya y Lucientes)
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Goya (Francisco de Goya y Lucientes)
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
Goya (Francisco de Goya y Lucientes)
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Goya (Francisco de Goya y Lucientes)
Bullfights: A Moor Caught by a Bull in the Ring
Francisco de Goya