The daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Mughal India, court of Akbar (reigned 1556–1605)

1555 - 1565 Painting

1962.279.98.b

Cleveland Museum of Art

Find similar Show on map

About this artwork

Similar artworks

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Mughal India, court of Akbar (reigned 1556–1605)

The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night

The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night

Mughal India, court of Akbar (reigned 1556–1605)

The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Mughal India, court of Akbar (reigned 1556–1605)

Krishna en de herderinnen, tussen tekst in Nastaliq-schrift

Krishna en de herderinnen, tussen tekst in Nastaliq-schrift

anonymous

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night

Mughal India, court of Akbar (reigned 1556–1605)

The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night

The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night

Mughal India, court of Akbar (reigned 1556–1605)

The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

Mughal India, court of Akbar (reigned 1556–1605)

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)

The Brahman gambler sees the daughter of the king of the jinns in a pit together with an old man and a cauldron of boiling oil, from a Tuti-nama (Tales of a Parrot: Seventh Night)

Mughal India, court of Akbar (reigned 1556–1605)

Drie banen met zeven liefdespaartjes

Drie banen met zeven liefdespaartjes

anonymous

Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night

Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot): Eighth Night

Mughal India, court of Akbar (reigned 1556–1605)

The parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot)

The parrot addresses Khujasta at the beginning of the thirty-first night, from a Tuti-nama (Tales of a Parrot)

Mughal India, court of Akbar (reigned 1556–1605)

The king’s handmaiden takes the prince away to the harem, from a Tuti-nama (Tales of a Parrot): Eighth Night

The king’s handmaiden takes the prince away to the harem, from a Tuti-nama (Tales of a Parrot): Eighth Night

Mughal India, court of Akbar (reigned 1556–1605)