The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Kaiwan sends a message of love to Khurshid, wife of his brother Utarid who is away on a journey, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Mughal India, court of Akbar (reigned 1556–1605)

The goldsmith and the carpenter inform the king of a dream in which the golden images plan to desert the city for lack of worshippers, from a Tuti-nama (Tales of a Parrot): Third Night

Mughal India, court of Akbar (reigned 1556–1605)

Ragini Khambavati, Page from a Jaipur Ragamala Set

Unknown Artist

Ragini Gunakali, Page from a Jaipur Ragamala Set

Unknown Artist

Ragini Devagandhari, Page from a Jaipur Ragamala Set

Unknown Artist

Bangala Ragini

Central India, Rajasthan, Malwa school, 17th century

Kamjuy, the wife of the Raja, averts her face from the fishes, from a Tuti-nama (Tales of a Parrot): Twenty-third Night

Mughal India, court of Akbar (reigned 1556–1605)

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Mughal India, court of Akbar (reigned 1556–1605)

Ragini Bhairavi, Page from a Jaipur Ragamala Set

Unknown Artist

The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

Mughal India, court of Akbar (reigned 1556–1605)

Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Mughal India, court of Akbar (reigned 1556–1605)

Devagandhari Ragini

anonymous