Les Courses du Matin ou La Porte d'un Riche (The Morning Courses or At the Door of a Wealthy Home from Moers et Ridicules)

Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq)

Designed by Pierre Nolasque Bergeret, Previously attributed to Jean-Baptiste-François Bosio, Aaron Martinet

The Arcades at the Palais-Royal

Louis-Léopold Boilly

Sortant du Drame

After Honoré Daumier

Poppenkast op een plein

Nicolas Antoine Taunay

“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités

Honoré-Victorin Daumier

Melopoyn haranguing the Prisoners in the Fleet

Thomas Rowlandson, After Henry Singleton, Aquatint by Joseph Constantine Stadler, Rudolph Ackermann, London

Ma femme..., comme nous n'aurions pas le temps de tout voir en un jour..., from L'Exposition de 1859, published in Le Charivari, April 18, 1859

Honoré Daumier, Destouches, Aaron Martinet

The Brothers Conducting the Children to St. Nicholas of the Fields

Jean Henri Marlet

The Hustings

James Gillray

The Precautions, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle

Pietro Antonio Martini

Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq)

Attributed to Thomas Rowlandson, After Pierre Nolasque Bergeret, (?) Thomas Tegg

Portraits des premiers fondateurs de l'Académie Anglaise des Beaux-Arts (Portraits of the founding members of the Royal Academy of Arts, London), from "L'Univers Illustré"

Mason Jackson, After Johan Joseph Zoffany