The streets of Paris are beginning to look like this every night, plate 7 from La Cométe De 1857

The streets of Paris are beginning to look like this every night, plate 7 from La Cométe De 1857

Honoré-Victorin Daumier

1857 Lithograph Print

1955.1165

Art Institute of Chicago

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A literary argument on the second tier, from 'Theater sketches,' published in Le Charivari, February 27, 1864

A literary argument on the second tier, from 'Theater sketches,' published in Le Charivari, February 27, 1864

Honoré Daumier, Destouches, Aaron Martinet

“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités

“- Oh, my friend... I am afraid of these people there. - And rightly so... they are quite vicious, they beat their women and make them have black children!,” plate 101 from Actualités

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View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes

View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes

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The Aztecs before the scientists, plate 211 from Actualités

The Aztecs before the scientists, plate 211 from Actualités

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Parisians looking forward to some fun. Queuing up for two hours in front of any theater in town, plate 1 from Les Bons Parisiens

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Honoré-Victorin Daumier

Regardez donc un peu oû ils ont niché mon cadre!..., from L'Exposition de 1859, published in Le Charivari, April 20, 1859

Regardez donc un peu oû ils ont niché mon cadre!..., from L'Exposition de 1859, published in Le Charivari, April 20, 1859

Honoré Daumier, Destouches, Aaron Martinet

Ma femme..., comme nous n'aurions pas le temps de tout voir en un jour..., from L'Exposition de 1859, published in Le Charivari, April 18, 1859

Ma femme..., comme nous n'aurions pas le temps de tout voir en un jour..., from L'Exposition de 1859, published in Le Charivari, April 18, 1859

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The decline of the drama in 1866, from 'Parisian habits,' published in Le Charivari, May 2, 1866

The decline of the drama in 1866, from 'Parisian habits,' published in Le Charivari, May 2, 1866

Honoré Daumier, Destouches, Arnaud de Vresse

The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

The Actor: “- It's obvious that it is hot out there... only three spectators in the audience... should we really start?” The Director: “- And one of them is the refreshments vendor ... quickly raise the curtain before he has a chance to leave,” plate 1 from Paris L'été

Honoré-Victorin Daumier

The front row spectators, from 'Theater sketches,' published in Le Charivari, April 9, 1864

The front row spectators, from 'Theater sketches,' published in Le Charivari, April 9, 1864

Honoré Daumier, Destouches, Aaron Martinet

View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes

View of the Grand Hall, plate 1 from Souvenirdu Grand Festival des Orphéonistes

Honoré-Victorin Daumier

The visitor and the artist, from 'Sketches from the Salon,' published in Le Charivari, May 30, 1864

The visitor and the artist, from 'Sketches from the Salon,' published in Le Charivari, May 30, 1864

Honoré Daumier, Destouches, Aaron Martinet