The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour

The Grenelle Wells. The director Mr. Mulot and his son finally reaching the end of their work, crossing their arms and putting their hands into their pockets and congratulating themselves that posterity will not be able to reproach them of not having produced clean water, plate 46 from Caricatures Du Jour

Honoré-Victorin Daumier

1842 Lithograph Print

1953.539

Art Institute of Chicago

Find similar Show on map

About this artwork

Similar artworks

The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857

The Displeasure of a Sculpture Placed in the Middle of an Exhibition of Paintings, plate 5 from Salon De 1857

Honoré-Victorin Daumier

 Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités

Parisians already taking their precautions to avoid being roasted by the comet, plate 410 from Actualités

Honoré-Victorin Daumier

 The Water Carriers

The Water Carriers

Jean Henri Marlet

 Box Office

Box Office

Charles Maurand

 “- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

“- Yep... this is what I call a shplendid job.... and for just five sous per pound.. you reaaalllly get your money's worth!,” plate 7 from Croquis Pris Au Salon par Daumier

Honoré-Victorin Daumier

 These are the joys of horseback racing, plate 411 from Actualités

These are the joys of horseback racing, plate 411 from Actualités

Honoré-Victorin Daumier

 The Descent of the Courtille in 1855, plate 165 from Actualités

The Descent of the Courtille in 1855, plate 165 from Actualités

Honoré-Victorin Daumier

 A Small Queue at the Entrance to the Palace of Industry. “- But I am telling you that I have a special entry permit! - Quite so, and this is why you are allowed to queue up already at the Obelisk.... otherwise you would have to start on the other side, close to the Etoile.... incidentally why not have a bite to eat while you are waiting... there is a charming little restaurant half way, plate 7 from Les Etrangers à Paris

A Small Queue at the Entrance to the Palace of Industry. “- But I am telling you that I have a special entry permit! - Quite so, and this is why you are allowed to queue up already at the Obelisk.... otherwise you would have to start on the other side, close to the Etoile.... incidentally why not have a bite to eat while you are waiting... there is a charming little restaurant half way, plate 7 from Les Etrangers à Paris

Honoré-Victorin Daumier

 Entrance to the public baths at Deligny, plate 3 from Croquis D'été

Entrance to the public baths at Deligny, plate 3 from Croquis D'été

Honoré-Victorin Daumier

 Ma femme..., comme nous n'aurions pas le temps de tout voir en un jour..., from L'Exposition de 1859, published in Le Charivari, April 18, 1859

Ma femme..., comme nous n'aurions pas le temps de tout voir en un jour..., from L'Exposition de 1859, published in Le Charivari, April 18, 1859

Honoré Daumier, Destouches, Aaron Martinet

 A defence lawyer at the Court of Arbitration discussing business at his usual office premises, plate 27 from Les Gens De Justice

A defence lawyer at the Court of Arbitration discussing business at his usual office premises, plate 27 from Les Gens De Justice

Honoré-Victorin Daumier

 Tiens..., qu' est-ce qu' c'est donc qu' ça?..., from Naïvetés, published in Le Charivari, April 15, 1859

Tiens..., qu' est-ce qu' c'est donc qu' ça?..., from Naïvetés, published in Le Charivari, April 15, 1859

Honoré Daumier, Destouches, Aaron Martinet