At the Renaissance: Sarah Bernhardt in Phèdre

Andromache. “- Our family 's destiny was pitiless death, my husband was tortured to the end of his breath,” plate 6 from Physionomies Tragiques

Honoré-Victorin Daumier

Oedipe. “- When my sword cut into his bleeding heart - You are trembling Madame - It was then that the world was falling apart,” plate ten from Physionomies tragiques

Honoré-Victorin Daumier

At the Théâtre de la Renaissance: Sarah Bernhardt in Phèdre

Henri de Toulouse-Lautrec, Edward Ancourt, L'Escarmouche

Bartet and Mounet-Sully, in Antigone

Henri de Toulouse-Lautrec

The Capture of Troy: Act III, The Apparition of Hector, from Hector Berlioz's Opera "The Capture of Troy (1855-58)"

Henri Fantin-Latour

A Princely Idyl, Clara Ward

Henri de Toulouse-Lautrec

Bartet and Mounet-Sully, in Antigone

Henri de Toulouse-Lautrec

Bartet and Mounet-Sully, in Antigone

Henri de Toulouse-Lautrec, Edouard Kleinmann

The Willow Song, plate nine from Othello

Théodore Chassériau

Bandontwerp voor: Louis Couperus, Van oude menschen, de dingen die voorbijgaan

anonymous

En mand overrasker en Kvinde

Oluf Hartmann

Léonie Yahne and Henry Mayer, in L'Age Difficile

Henri de Toulouse-Lautrec, Edouard Kleinmann